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be creative-See where your mind and your ideas take you." Viglione's makeshift drum kit included a 50-gallon trash can, a pair of water cooler jugs, and a cookie tray with a chain across it. Piece together any stuff that you want to bang on rent what you want to rent. He stated that Reznor's instructions to him were to "build a drumkit. Viglione contributed percussion to tracks 19 and 22. As a result, the initial plan to release a single EP of the material expanded to include the increasing amount of material. The musicians created the album tracks through improvisation and experimentation. And treat it, in a sense, as if it were a soundtrack." And then attempt to describe that with sound and texture and melody. Reznor described the band's early intentions for the project as "an experiment", and explained the group's process: "When we started working with the music, we would generally start with a sort of visual reference that we had imagined: a place, or a setting, or a situation. Live-band member Alessandro Cortini and studio musicians Adrian Belew and Brian Viglione also contributed instrumental performances on select tracks. The core creative team behind the project was Reznor, Atticus Ross, and Alan Moulder. something." Reznor explained, "I've been considering and wanting to make this kind of record for years, but by its very nature it wouldn't have made sense until this point". Whatever happens during that time gets released as . Ghosts I–IV originated from an experiment: "The rules were as follows: 10 weeks, no clear agenda, no overthinking, everything driven by impulse. įollowing the Performance 2007 Tour in support of the band's previous album Year Zero (2007), Reznor set out to make a record "with very little forethought". He also revealed that the band would likely distribute its next album independently, possibly in a fashion similar to Saul Williams' 2007 album The Inevitable Rise and Liberation of NiggyTardust!, which Reznor produced. Nine Inch Nails frontman Trent Reznor announced in 2007 that the band had completed its contractual obligations to its record label, Interscope Records, and would no longer be working with the company.
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In March 2020, Nine Inch Nails released two free follow-up albums to Ghosts I–IV: Ghosts V: Together and Ghosts VI: Locusts.
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Ghosts preceded a series of soundtrack albums recorded by Reznor and Ross, including four collaborations with director David Fincher.
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It reached number 14 in the US, and was nominated for Grammy Awards for Best Rock Instrumental Performance and Best Boxed or Special Limited Edition Package) the first time music released under a Creative Commons license had been nominated for a Grammy Award. Ghosts I–IV received positive reviews critics praised its experimentalism and unorthodox release. A YouTube-based film festival was also announced, inviting fans to visually interpret the music and post their submissions, but no mention has been made of the festival since its announcement. The album was released under a Creative Commons license ( BY-NC-SA) and in a variety of differing packages and prices, including a $300 deluxe edition, without prior announcement. Although conceived as a five-track EP, the final release consisted of four nine-track EPs, totaling 36 tracks. The tracks are unnamed, identified only by their track listing and group number, and are almost entirely instrumental. Reznor described Ghosts as "a soundtrack for daydreams", a sentiment echoed by critics, who compared it to the work of Brian Eno and Robert Fripp. The production team included Nine Inch Nails frontman Trent Reznor, studio collaborators Atticus Ross and Alan Moulder, and contributions from Alessandro Cortini, Adrian Belew, and Brian Viglione. It was the band's first independent release following their split from longtime label Interscope Records in 2007. Ghosts I–IV is the sixth studio album by American industrial rock band Nine Inch Nails, released by The Null Corporation on March 2, 2008.
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